Production Reel
Work compilation from the past 5 years. Music by me.
I Can’t Look At Myself Because The Eyes That Look Back Will Collect Data To Haunt Me To Hunt And Attack
2023, Video + Animation, 22’38.
An experimental personal narrative film about nightmares of eyes watching and chasing, breaking down perceptions of the self.
Big Hollow Bus
2021, 16mm, 8’51.
A meditation on mourning and destruction. Collaboration with Quinlyn Holder.
Un clown en promenade
2022, Super 8 film, 4’24.
A clown strolls the streets of Paris. Shot by Quinlyn Holder, directing, editing and performance by Crescent.
Weird people, RUN
2021, 16mm, 3’00.
A vision of transformation and expulsion. Collaboration with Lars Wahlsten.
Mastodon
2020, Video, 5’50.
A voiceover project made in Covid lockdown in 2020 depicting disorienting and dark feelings of isolation/loneliness/dissociation. Forgetting touch, footage datamoshed using a hex editor.
Shadows from Trees in the Wind Trigger Alarm
2019, Video, 5’33.
Customer reviews of the Ring camera doorbell system are read by online artificial voice generators while shadows, trees and homes move on screen. This project is an experimental, critical study on Ring, the Amazon-owned doorbell surveillance camera system.
My Mother's Twink Son
2019, Video, 4’22.
Diary-skecth on queerness and home.
Like An Alien Orgasm
2019, Video + Animation, 5’06.
Experimental film exploring moments of personal sanctity between the body and environment.